Many folks out there see people taking photographs with a great big "professional" SLR and think; "Well, If I had all that gear he has I could take good photos..."
Other people might spend thousands of dollars on "professional" equipment and wonder why there photographs aren't improving.
Having good equipment will let you get photos that you that you'd otherwise miss, but it won't make you a better photographer.
I really believe that the things that make the biggest difference to your photography - composition, subject, colour - can be learned with any camera.
But to be realistic, you have to work within the limitations of a compact camera. It's tiny digital sensor means you'll have a tough time getting a pocket-sized camera to work well in low-light or fast action situations. You're stuck with the lens that's attached to the camera, so you probably won't be able to get that shallow-focused soft background you see in some portraits.
A small camera will work great in good light with still or slow-moving subjects. Concentrate on the composition, the colours, the interesting subjects, and polish the photos up with some post-processing.
After all - when we're talking about content - a good photo is a good photo whether it's taken with an iPhone or a Hassleblad.
Simple straight-on compositions work well with any camera.
Blasting the new higway down the Baja. When you are travelling by motorcycle, you want a camera in a pocket. You can use a compact without having to get off of the motorcycle or take off your helmet.
Nice afternoon light filtering through clouds and a compelling subject. These conditions are certainly within the capabilities of a compact.
People react differently to a compact camera than they do any large camera. not better or worse, just different I write about this in the "Social Studies" section on page 9 of Motojournalism Book Two
My personal photographic style has a tightly-cropped graphic aesthetic. Many of my favourite photos have been taken with compact cameras.
Even if you carry an SLR, a compact is a great backup. My Nikon D200 went kaput in Palenque, Mexico, but I still had the little LX2 compact to work with. I really wished I had my SLR at Chichen Itza, a few days later, but being limited to the compact camera forced me to be creative with my compositions.
If you can find a stable platform for your compact, and use the self-timer to avoid camera shake, you can get good photos of still objects in low-light.
Take the time to experiment and to learn to work within the limitations of the camera equipment that you have now. You'll reap much greater rewards by investing in your technique than you will investing in the latest-and-greatest equipment.
December 5, 2010 at 10:39 PM
Recently discovered your blog. I plan to be enjoying it for a long time. Keep up the good work!
December 6, 2010 at 10:33 AM
Thanks for dropping by Jonesy!
I've got lots in the works; a post on food photography, SLR pros and cons, and an interview with a very well-traveled motorcycle photographer.
December 18, 2010 at 5:39 AM
Hi Antony, I am not only enjoying your blog but I also LOVED your book. I highly recommend it to everyone.
December 31, 2010 at 7:51 PM
I subscribed to your blog and enjoy your work. Thanks for sharing.
September 24, 2017 at 1:18 PM
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